Moving towards film photography was simply a dream come true, something more than a “photo project” limited in time. I feel like this is a commitment for life, while still enjoying the beautiful outcomes from Fujifilm digital photography.
As many of us already know and feel, making photography with Fujifilm is a powerful, pleasant and liberating experience. I will try to explain the best I can what is this sort of freedom and why is it so. However, I think this story can apply to those photographers who are not professionals, or if they are, then they could consider it while using their Fujifilm camera outside the paid jobs environment (with some exceptions).
There are many elements involved in creating a great photograph. Let’s not forget the fact that this means going deep into the territory of subjectivity. However, there must be some criteria, some sort of a systematised scheme which the value of a photo is based upon. This is why, the morphology of creating good photos, in my view, has about six structural principles: subject, story-telling, composition, post-processing, motivation and audience.
There is a saying that as you get older, you become unimpressed by a lot of S.H.I.T. (super highly irrelevant things). I wonder how this principle applies in photography, because we are also growing up in our photography skills, styles, needs and vision. Our way of making photography changes, starting with the switch from taking snapshots to making photographs. We change the gear we use, or give up using some lenses, while discovering new lenses; new focal lengths will become our favourites, while others will lose our interest. This is how I have moved from an ultra-wide angle fish-eye lens, which was capable of capturing not only too much, but basically almost everything, to narrower focal lengths, useful in isolating what is essential, against the disturbing and often unnecessary background.
Nowadays, the smartphones and their cameras have evolved to a level where the question of replacing the digital camera (mirrorless, or DSLR) with a powerful smartphone is only natural.
Behind all metaphors, Fujifilm X-H1 is getting the least of love, attention and publicity among the rest of the models from the Fujifilm range of mirrorless digital cameras. In addition, it is not so easy to explain why. Let me try to understand what could be behind the decision to buy (or refuse considering) a Fujifilm X-H1 as the camera to have in your photo bag.
In almost every article I have wrote on my website, in the Blog section, regarding Fujifilm gear, I talk about the synergy between beauty and functionality. This is one of the strongest selling point for Fujifilm cameras. Apart from the Fujifilm’s performance required for our photographic needs, (for both pros and enthusiasts), they do provide something that most Fujifilm users, conscious, or unconscious are attracted to: beautiful, coherent design.
As photographers, no matter if we are beginners, enthusiasts, advanced or full professionals, we are living both interesting and challenging times. With the progress in science and technology and the way we work, interact with each other, buy, use and sell our equipment, all of these shape a totally different universe from what we were used to live, not so many years ago.
One of the most discussed subjects related to photographic gear is also one of the oldest and most ardent, ever: prime lenses, or zoom lenses?
According to Buddha, the Middle Path, or the Middle Way is a concept used to describe the Noble Eightfold Path, a series of Buddhist practices and mindsets that will lead one to the liberation from samsara.