Moving towards film photography was simply a dream come true, something more than a “photo project” limited in time. I feel like this is a commitment for life, while still enjoying the beautiful outcomes from Fujifilm digital photography.
There is a saying that as you get older, you become unimpressed by a lot of S.H.I.T. (super highly irrelevant things). I wonder how this principle applies in photography, because we are also growing up in our photography skills, styles, needs and vision. Our way of making photography changes, starting with the switch from taking snapshots to making photographs. We change the gear we use, or give up using some lenses, while discovering new lenses; new focal lengths will become our favourites, while others will lose our interest. This is how I have moved from an ultra-wide angle fish-eye lens, which was capable of capturing not only too much, but basically almost everything, to narrower focal lengths, useful in isolating what is essential, against the disturbing and often unnecessary background.
Nowadays, the smartphones and their cameras have evolved to a level where the question of replacing the digital camera (mirrorless, or DSLR) with a powerful smartphone is only natural.
In almost every article I have wrote on my website, in the Blog section, regarding Fujifilm gear, I talk about the synergy between beauty and functionality. This is one of the strongest selling point for Fujifilm cameras. Apart from the Fujifilm’s performance required for our photographic needs, (for both pros and enthusiasts), they do provide something that most Fujifilm users, conscious, or unconscious are attracted to: beautiful, coherent design.
Hello again and welcome to a new interview with another photographer. This time I had the chance to talk to Hélène Cook, a Brussels-based hobby photographer. She started photography a few years ago and she is a member of the Viewfinders’ Photography Club since 2017. She participated for the first time to an exhibition in October 2018 called “Schieven Regards”, which was organised by the Collective of photographers “Bruxelles Pixels”.
Now, after seeing her active and valuable contribution to the club, from the perspective of a member in the club’s committee and after being impressed by her portfolio and her approach in photography, I wanted to find out more about how she sees photography and share the answer with you. For this, I have prepared a set of questions, in order to find out about who is behind the photographs.
As photographers, no matter if we are beginners, enthusiasts, advanced or full professionals, we are living both interesting and challenging times. With the progress in science and technology and the way we work, interact with each other, buy, use and sell our equipment, all of these shape a totally different universe from what we were used to live, not so many years ago.
Recently, during a workshop with a Fujifilm X Photographer, I got the opportunity to test X100F and X-E3, along some other Fujifilm equipment.
Recently, during a workshop with a Fujifilm X Photographer, I got the chance to test some of Fujifilm equipment that I didn’t own, including three lenses that interests me and two new cameras.
One of the most discussed subjects related to photographic gear is also one of the oldest and most ardent, ever: prime lenses, or zoom lenses?
In one of my previous articles, I wanted to write about the content of the photo bag, but in fact, this is a continuously changing configuration. We carry what we have, what we need (or might need) and what we use, according to our style and needs in photography.