Hello again and welcome to a new interview with another photographer. This time I had the chance to talk to Hélène Cook, a Brussels-based hobby photographer. She started photography a few years ago and she is a member of the Viewfinders’ Photography Club since 2017. She participated for the first time to an exhibition in October 2018 called “Schieven Regards”, which was organised by the Collective of photographers “Bruxelles Pixels”.
Now, after seeing her active and valuable contribution to the club, from the perspective of a member in the club’s committee and after being impressed by her portfolio and her approach in photography, I wanted to find out more about how she sees photography and share the answer with you. For this, I have prepared a set of questions, in order to find out about who is behind the photographs.
Everything I write here is because of my grandmother – the Photographer. I have inherited the passion for photography from her, as she was the one in my family who had the strongest attraction towards visual arts and I am simply her follower, walking on a different road, but having the same name: Photography.
Hello again and welcome to a new interview with another photographer. This passion for photography is flowing strong within many of us, but it’s mostly hidden behind the daily tasks we all need to do. But beyond the engineer, doctor, driver, mechanic, director, manager assistant and whatever job we might have during the working week, there is a passionate photographer – that’s the person we want to discover. Today, we will hear from Richard Sylvester, one of the “pillars” of the VIEWFINDERS – The Photography Club of Brussels, a good friend and truly a key committee member of this international club of photography. It is him who invited me to join this club and I could say he is the first person I knew from Brussels, even before moving to Belgium, a few years ago.
Sometimes I think about how to implement the minimalism philosophy in my photography style, following the “less is more” principle. But I don’t want to follow this path, just because I have read about it, or it might be a fashion in almost everything we want to create, today. It is “cool”, yes, but that’s not the point. I have come to this resolution, pushed by the need of change.
Getting back to Fujifilm mirrorless cameras and especially to the X-Pro2 (which is the camera I am happily using now), the level of customizing your camera goes quite deep, at least for my expectations. You can shoot in RAW, or JPEG, or both combined and you can customize the quality and size of each type of image file. To get a complete overview of the totality of the menu settings for Fujifilm X-Pro2, the best way is to download and read the PDF user manual. I won’t get into that kind of technical details, but I’ll tell you about the settings that I use for the Color Profiles.
One of the most discussed subjects related to photographic gear is also one of the oldest and most ardent, ever: prime lenses, or zoom lenses?
I was part of a team of enthusiasts photographers in a photo walk in Brussels, during November’s whimsy weather. Starting from the afternoon until the evening, night included, we roamed the streets of this city, looking for architecture and street photography subjects, enjoying each other’s company, exchanging tips and experiences.
According to Buddha, the Middle Path, or the Middle Way is a concept used to describe the Noble Eightfold Path, a series of Buddhist practices and mindsets that will lead one to the liberation from samsara.
There was a time, not quite so long ago, when film photography really was the Golden Age of Photography and it was so alive and cool.
How many megapixels do you need in your digital camera? What MTF charts will be enough to satisfy your expectations? What type of photography do you practice, to justify the number of megapixels you just said to yourself (at least) you need to do the job better, the best?