Moving towards film photography was simply a dream come true, something more than a “photo project” limited in time. I feel like this is a commitment for life, while still enjoying the beautiful outcomes from Fujifilm digital photography.
There are many elements involved in creating a great photograph. Let’s not forget the fact that this means going deep into the territory of subjectivity. However, there must be some criteria, some sort of a systematised scheme which the value of a photo is based upon. This is why, the morphology of creating good photos, in my view, has about six structural principles: subject, story-telling, composition, post-processing, motivation and audience.
There is a saying that as you get older, you become unimpressed by a lot of S.H.I.T. (super highly irrelevant things). I wonder how this principle applies in photography, because we are also growing up in our photography skills, styles, needs and vision. Our way of making photography changes, starting with the switch from taking snapshots to making photographs. We change the gear we use, or give up using some lenses, while discovering new lenses; new focal lengths will become our favourites, while others will lose our interest. This is how I have moved from an ultra-wide angle fish-eye lens, which was capable of capturing not only too much, but basically almost everything, to narrower focal lengths, useful in isolating what is essential, against the disturbing and often unnecessary background.
In almost every article I have wrote on my website, in the Blog section, regarding Fujifilm gear, I talk about the synergy between beauty and functionality. This is one of the strongest selling point for Fujifilm cameras. Apart from the Fujifilm’s performance required for our photographic needs, (for both pros and enthusiasts), they do provide something that most Fujifilm users, conscious, or unconscious are attracted to: beautiful, coherent design.
Everything I write here is because of my grandmother – the Photographer. I have inherited the passion for photography from her, as she was the one in my family who had the strongest attraction towards visual arts and I am simply her follower, walking on a different road, but having the same name: Photography.
Hello again and welcome to a new interview with another photographer. This passion for photography is flowing strong within many of us, but it’s mostly hidden behind the daily tasks we all need to do. But beyond the engineer, doctor, driver, mechanic, director, manager assistant and whatever job we might have during the working week, there is a passionate photographer – that’s the person we want to discover. Today, we will hear from Richard Sylvester, one of the “pillars” of the VIEWFINDERS – The Photography Club of Brussels, a good friend and truly a key committee member of this international club of photography. It is him who invited me to join this club and I could say he is the first person I knew from Brussels, even before moving to Belgium, a few years ago.
Sometimes I think about how to implement the minimalism philosophy in my photography style, following the “less is more” principle. But I don’t want to follow this path, just because I have read about it, or it might be a fashion in almost everything we want to create, today. It is “cool”, yes, but that’s not the point. I have come to this resolution, pushed by the need of change.
As photographers, no matter if we are beginners, enthusiasts, advanced or full professionals, we are living both interesting and challenging times. With the progress in science and technology and the way we work, interact with each other, buy, use and sell our equipment, all of these shape a totally different universe from what we were used to live, not so many years ago.
In one of my previous articles, I wanted to write about the content of the photo bag, but in fact, this is a continuously changing configuration. We carry what we have, what we need (or might need) and what we use, according to our style and needs in photography.
According to Buddha, the Middle Path, or the Middle Way is a concept used to describe the Noble Eightfold Path, a series of Buddhist practices and mindsets that will lead one to the liberation from samsara.