As many of us already know and feel, making photography with Fujifilm is a powerful, pleasant and liberating experience. I will try to explain the best I can what is this sort of freedom and why is it so. However, I think this story can apply to those photographers who are not professionals, or if they are, then they could consider it while using their Fujifilm camera outside the paid jobs environment (with some exceptions).
There are many elements involved in creating a great photograph. Let’s not forget the fact that this means going deep into the territory of subjectivity. However, there must be some criteria, some sort of a systematised scheme which the value of a photo is based upon. This is why, the morphology of creating good photos, in my view, has about six structural principles: subject, story-telling, composition, post-processing, motivation and audience.
Getting back to Fujifilm mirrorless cameras and especially to the X-H1 (which is the camera I am happily using now), the level of customizing your camera goes quite deep, at least for my expectations. You can shoot in RAW, or JPEG, or both combined and you can customize the quality and size of each type of image file. To get a complete overview of the totality of the menu settings for Fujifilm X-H1, the best way is to download and read the PDF user manual. I won’t get into that kind of technical details, but I’ll tell you about the settings that I use for the Color Profiles.
Behind all metaphors, Fujifilm X-H1 is getting the least of love, attention and publicity among the rest of the models from the Fujifilm range of mirrorless digital cameras. In addition, it is not so easy to explain why. Let me try to understand what could be behind the decision to buy (or refuse considering) a Fujifilm X-H1 as the camera to have in your photo bag.
Everything I write here is because of my grandmother – the Photographer. I have inherited the passion for photography from her, as she was the one in my family who had the strongest attraction towards visual arts and I am simply her follower, walking on a different road, but having the same name: Photography.
Hello again and welcome to a new interview with another photographer. This passion for photography is flowing strong within many of us, but it’s mostly hidden behind the daily tasks we all need to do. But beyond the engineer, doctor, driver, mechanic, director, manager assistant and whatever job we might have during the working week, there is a passionate photographer – that’s the person we want to discover. Today, we will hear from Richard Sylvester, one of the “pillars” of the VIEWFINDERS – The Photography Club of Brussels, a good friend and truly a key committee member of this international club of photography. It is him who invited me to join this club and I could say he is the first person I knew from Brussels, even before moving to Belgium, a few years ago.
As photographers, no matter if we are beginners, enthusiasts, advanced or full professionals, we are living both interesting and challenging times. With the progress in science and technology and the way we work, interact with each other, buy, use and sell our equipment, all of these shape a totally different universe from what we were used to live, not so many years ago.
According to Buddha, the Middle Path, or the Middle Way is a concept used to describe the Noble Eightfold Path, a series of Buddhist practices and mindsets that will lead one to the liberation from samsara.
There was a time, not quite so long ago, when film photography really was the Golden Age of Photography and it was so alive and cool.
It is a common know fact that we need to get specialized in photography. In order to deepen its secrets, characteristics and to be the best we can in a certain field of this visual art, it’s more profitable and efficient to get specialized in, let’s say, one type of photography.