Moving towards film photography was simply a dream come true, something more than a “photo project” limited in time. I feel like this is a commitment for life, while still enjoying the beautiful outcomes from Fujifilm digital photography.
As many of us already know and feel, making photography with Fujifilm is a powerful, pleasant and liberating experience. I will try to explain the best I can what is this sort of freedom and why is it so. However, I think this story can apply to those photographers who are not professionals, or if they are, then they could consider it while using their Fujifilm camera outside the paid jobs environment (with some exceptions).
There are many elements involved in creating a great photograph. Let’s not forget the fact that this means going deep into the territory of subjectivity. However, there must be some criteria, some sort of a systematised scheme which the value of a photo is based upon. This is why, the morphology of creating good photos, in my view, has about six structural principles: subject, story-telling, composition, post-processing, motivation and audience.
There is a saying that as you get older, you become unimpressed by a lot of S.H.I.T. (super highly irrelevant things). I wonder how this principle applies in photography, because we are also growing up in our photography skills, styles, needs and vision. Our way of making photography changes, starting with the switch from taking snapshots to making photographs. We change the gear we use, or give up using some lenses, while discovering new lenses; new focal lengths will become our favourites, while others will lose our interest. This is how I have moved from an ultra-wide angle fish-eye lens, which was capable of capturing not only too much, but basically almost everything, to narrower focal lengths, useful in isolating what is essential, against the disturbing and often unnecessary background.
Getting back to Fujifilm mirrorless cameras and especially to the X-H1 (which is the camera I am happily using now), the level of customizing your camera goes quite deep, at least for my expectations. You can shoot in RAW, or JPEG, or both combined and you can customize the quality and size of each type of image file. To get a complete overview of the totality of the menu settings for Fujifilm X-H1, the best way is to download and read the PDF user manual. I won’t get into that kind of technical details, but I’ll tell you about the settings that I use for the Color Profiles.
Nowadays, the smartphones and their cameras have evolved to a level where the question of replacing the digital camera (mirrorless, or DSLR) with a powerful smartphone is only natural.
Behind all metaphors, Fujifilm X-H1 is getting the least of love, attention and publicity among the rest of the models from the Fujifilm range of mirrorless digital cameras. In addition, it is not so easy to explain why. Let me try to understand what could be behind the decision to buy (or refuse considering) a Fujifilm X-H1 as the camera to have in your photo bag.
In almost every article I have wrote on my website, in the Blog section, regarding Fujifilm gear, I talk about the synergy between beauty and functionality. This is one of the strongest selling point for Fujifilm cameras. Apart from the Fujifilm’s performance required for our photographic needs, (for both pros and enthusiasts), they do provide something that most Fujifilm users, conscious, or unconscious are attracted to: beautiful, coherent design.
Hello again and welcome to a new interview with another photographer. This time I had the chance to talk to Hélène Cook, a Brussels-based hobby photographer. She started photography a few years ago and she is a member of the Viewfinders’ Photography Club since 2017. She participated for the first time to an exhibition in October 2018 called “Schieven Regards”, which was organised by the Collective of photographers “Bruxelles Pixels”.
Now, after seeing her active and valuable contribution to the club, from the perspective of a member in the club’s committee and after being impressed by her portfolio and her approach in photography, I wanted to find out more about how she sees photography and share the answer with you. For this, I have prepared a set of questions, in order to find out about who is behind the photographs.
Everything I write here is because of my grandmother – the Photographer. I have inherited the passion for photography from her, as she was the one in my family who had the strongest attraction towards visual arts and I am simply her follower, walking on a different road, but having the same name: Photography.